April 21 - 23, 2023
A program of Cámara de Comercio de Bogotá
A cultural program of:
April 21 - 23, 2023
A program of Cámara de Comercio de Bogotá
A cultural program of:
Account Receivable is a provocative exhibition that highlights our condition as excessive consumers. Here, extractive practices resonate like an echo in the paradise called Supermarket. This exhibition examines the insatiable appetite generated by the premise of evolutionary development, confronting us with the paradox of being both prey and hunter simultaneously.
In the dizzying race of the economy towards globalization, we are facing alarming environmental impacts. This exhibition confronts us with the reality to which we are exposed by an economy that places consumer satisfaction as its primary desire and ultimate goal.
"Account Receivable" invites us to reflect on our role as consumers in a society where excessive consumption has significant environmental repercussions. Through this exhibition, we aim for the public to reconsider their relationship with consumption and to seek alternatives that promote environmental sustainability without sacrificing economic progress.
Bienvenidos a Estudio 74, una plataforma donde el arte contemporáneo irrumpe a través de proyectos innovadores que desafían las convenciones y promueven la expresión individual y colectiva.
Desde nuestro inicio en 2016, nos hemos dedicado a apoyar la creatividad y el talento de nuevos talentos, alentándolos a explorar y confiar en su visión de mundo a través del arte; y a su vez, un punto de encuentro para el diálogo entre las propuestas de artistas de larga y mediana trayectoria con nuevos públicos que se vinculan a través de una agenda cultural y diversa que ha tomado cada vez más fuerza.
Fundación Casa Estudio 74, tiene como misión ser un referente para colectivos de diferentes técnicas, desde universitarios, artistas emergentes, y aquellos artistas consagrados que han depositado su confianza en nuestros proyectos exhibidos dentro de un espacio colaborativo y de encuentro donde las ideas florecen y se materializan en obras inspiradoras.
Pero más allá de nuestras fronteras, en Estudio 74 nos definimos por nuestra narrativa inclusiva y diversa, siendo un espacio abierto a grupos interculturales e interseccionales para dar a conocer sus propuestas contemporáneas. Creemos en el poder del arte para trascender barreras y unir a las comunidades en conversaciones significativas sobre identidad, inclusión y cambio social. Les invitamos a creer, a iniciar un viaje en las propuestas y mirar más de cerca cada trazo, cada palabra, cada idea que se convierten en una brújula con destino a mil universos más, testimonios de la belleza y la diversidad que nos rodea.
Master's degree in Education through the Arts and Bachelor's degree in Fine Arts from the University of the Arts ISA (Havana - Cuba), who has been involved in various educational processes aimed at strengthening creative work and image-based didactics. Their creative work explores market-economy relationships with a very particular intention of portraying opposing priorities in the globalized world, where symbols of everyday life interact with various formats (supermarket receipts, deposit slips, copies of procedures, among others) that serve as a polyphonic canvas, allowing for the tension of codes that both reaffirm and refute the idea of accountability in the confrontation of a totality that is insufficient for all. The abundance and scarcity placed in the same pocket to serve as evidence that fundamentally, we are in a dead-end alley that forces us to de-borderize the relationships we establish with the economy. Education: 2010 - 2012: Master's in Education through the Arts, Higher Institute of Art. University of the Arts. Havana, Cuba. 1999 - 2004: Bachelor's in Fine Arts, Higher Institute of Art. University of the Arts. Havana, Cuba. 1996 - 1997: University of the Atlantic, Barranquilla, Colombia. 1993 - 1995: School of Fine Arts Cartagena de Indias, Colombia.
Master's degree in Education through the Arts and Bachelor's degree in Fine Arts from the University of the Arts ISA (Havana - Cuba), who has been involved in various educational processes aimed at strengthening creative work and image-based didactics. Their creative work explores market-economy relationships with a very particular intention of portraying opposing priorities in the globalized world, where symbols of everyday life interact with various formats (supermarket receipts, deposit slips, copies of procedures, among others) that serve as a polyphonic canvas, allowing for the tension of codes that both reaffirm and refute the idea of accountability in the confrontation of a totality that is insufficient for all. The abundance and scarcity placed in the same pocket to serve as evidence that fundamentally, we are in a dead-end alley that forces us to de-borderize the relationships we establish with the economy. Education: 2010 - 2012: Master's in Education through the Arts, Higher Institute of Art. University of the Arts. Havana, Cuba. 1999 - 2004: Bachelor's in Fine Arts, Higher Institute of Art. University of the Arts. Havana, Cuba. 1996 - 1997: University of the Atlantic, Barranquilla, Colombia. 1993 - 1995: School of Fine Arts Cartagena de Indias, Colombia.
Master's degree in Education through the Arts and Bachelor's degree in Fine Arts from the University of the Arts ISA (Havana - Cuba), who has been involved in various educational processes aimed at strengthening creative work and image-based didactics. Their creative work explores market-economy relationships with a very particular intention of portraying opposing priorities in the globalized world, where symbols of everyday life interact with various formats (supermarket receipts, deposit slips, copies of procedures, among others) that serve as a polyphonic canvas, allowing for the tension of codes that both reaffirm and refute the idea of accountability in the confrontation of a totality that is insufficient for all. The abundance and scarcity placed in the same pocket to serve as evidence that fundamentally, we are in a dead-end alley that forces us to de-borderize the relationships we establish with the economy. Education: 2010 - 2012: Master's in Education through the Arts, Higher Institute of Art. University of the Arts. Havana, Cuba. 1999 - 2004: Bachelor's in Fine Arts, Higher Institute of Art. University of the Arts. Havana, Cuba. 1996 - 1997: University of the Atlantic, Barranquilla, Colombia. 1993 - 1995: School of Fine Arts Cartagena de Indias, Colombia.
Master's degree in Education through the Arts and Bachelor's degree in Fine Arts from the University of the Arts ISA (Havana - Cuba), who has been involved in various educational processes aimed at strengthening creative work and image-based didactics. Their creative work explores market-economy relationships with a very particular intention of portraying opposing priorities in the globalized world, where symbols of everyday life interact with various formats (supermarket receipts, deposit slips, copies of procedures, among others) that serve as a polyphonic canvas, allowing for the tension of codes that both reaffirm and refute the idea of accountability in the confrontation of a totality that is insufficient for all. The abundance and scarcity placed in the same pocket to serve as evidence that fundamentally, we are in a dead-end alley that forces us to de-borderize the relationships we establish with the economy. Education: 2010 - 2012: Master's in Education through the Arts, Higher Institute of Art. University of the Arts. Havana, Cuba. 1999 - 2004: Bachelor's in Fine Arts, Higher Institute of Art. University of the Arts. Havana, Cuba. 1996 - 1997: University of the Atlantic, Barranquilla, Colombia. 1993 - 1995: School of Fine Arts Cartagena de Indias, Colombia.
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