Alarcón Criado

Contact: julio criado
Velarde, 9

An equal and balanced selection in terms of nationalities, focused on the gallery's program. A booth that features a dialogue between Latin American and European artists, where a wide variety of genres and media will coexist.

Contact

ALARCON CRIADO
julio criado
carolina alarcon
Velarde, 9
+34 954221613
IVÁN CANDEO
Simón Bolivar, 2022
Inkjet print, charcoal; oil.
300 x 150 cm

Artist review

He has been part of an independent study group comprised of Venezuelan artists from different generations since 2004. In 2008, he obtained the title of Professor with a specialisation in Fine Art at the Instituto Pedagógico de Caracas. He graduated with a Masters in the History and Theory of Fine Art from the U.C.V. and with a Diploma in the Contemporary History of Venezuela from the Rómulo Betancourt Foundation. He has also carried out complementary studies in “experimental cinema” in the Aula Xcèntric at the CCCB in Barcelona and in 2018, was awarded a scholarship to study at the Laboratory of Contemporary Audiovisual Practices, Master LAV, in Madrid. He also participated in the artistic residency Lugar a Dudas, in Cali, Colombia. Some of his most notable recent solo exhibitions include: Antes que, mientras que, más tarde, Galería Carmen Araujo Arte, Caracas, Colombia (2021); NOVÆ ANDALUSIÆ. Observante inestable, Alarcón Criado Gallery, Seville, Spain (2019) and Sin Acto, Carmen Araujo Art Gallery, Caracas, Venezuela (2018). He has participated in group exhibitions in several spaces in Latin America, the United States, Canada and Europe. They include: JUNTOS APARTE - Entre nosotros y los otros, MUNTREF Centro de Arte Contemporáneo, Buenos Aires, Argentina (2021); Cinco itinerarios con un punto de vista, Museo de Arte Contemporáneo de Castilla y León, Spain, (2020); El revés de la trama - 45 salón nacional de artistas, Bogotá, Colombia (2019); Archivo HAMACA (2018) Media and videoart distribution from Spain and Museo Nacional Reina Centro de Arte Sofía, Madrid, Spain.

About the artist
IVÁN CANDEO
El tres de mayo, 2022
charcoal
70 x 50 cm

Artist review

He has been part of an independent study group comprised of Venezuelan artists from different generations since 2004. In 2008, he obtained the title of Professor with a specialisation in Fine Art at the Instituto Pedagógico de Caracas. He graduated with a Masters in the History and Theory of Fine Art from the U.C.V. and with a Diploma in the Contemporary History of Venezuela from the Rómulo Betancourt Foundation. He has also carried out complementary studies in “experimental cinema” in the Aula Xcèntric at the CCCB in Barcelona and in 2018, was awarded a scholarship to study at the Laboratory of Contemporary Audiovisual Practices, Master LAV, in Madrid. He also participated in the artistic residency Lugar a Dudas, in Cali, Colombia. Some of his most notable recent solo exhibitions include: Antes que, mientras que, más tarde, Galería Carmen Araujo Arte, Caracas, Colombia (2021); NOVÆ ANDALUSIÆ. Observante inestable, Alarcón Criado Gallery, Seville, Spain (2019) and Sin Acto, Carmen Araujo Art Gallery, Caracas, Venezuela (2018). He has participated in group exhibitions in several spaces in Latin America, the United States, Canada and Europe. They include: JUNTOS APARTE - Entre nosotros y los otros, MUNTREF Centro de Arte Contemporáneo, Buenos Aires, Argentina (2021); Cinco itinerarios con un punto de vista, Museo de Arte Contemporáneo de Castilla y León, Spain, (2020); El revés de la trama - 45 salón nacional de artistas, Bogotá, Colombia (2019); Archivo HAMACA (2018) Media and videoart distribution from Spain and Museo Nacional Reina Centro de Arte Sofía, Madrid, Spain.

About the artist
IVÁN CANDEO
La lechera de Burdeos, 2022
charcoal
70 x 50 cm

Artist review

He has been part of an independent study group comprised of Venezuelan artists from different generations since 2004. In 2008, he obtained the title of Professor with a specialisation in Fine Art at the Instituto Pedagógico de Caracas. He graduated with a Masters in the History and Theory of Fine Art from the U.C.V. and with a Diploma in the Contemporary History of Venezuela from the Rómulo Betancourt Foundation. He has also carried out complementary studies in “experimental cinema” in the Aula Xcèntric at the CCCB in Barcelona and in 2018, was awarded a scholarship to study at the Laboratory of Contemporary Audiovisual Practices, Master LAV, in Madrid. He also participated in the artistic residency Lugar a Dudas, in Cali, Colombia. Some of his most notable recent solo exhibitions include: Antes que, mientras que, más tarde, Galería Carmen Araujo Arte, Caracas, Colombia (2021); NOVÆ ANDALUSIÆ. Observante inestable, Alarcón Criado Gallery, Seville, Spain (2019) and Sin Acto, Carmen Araujo Art Gallery, Caracas, Venezuela (2018). He has participated in group exhibitions in several spaces in Latin America, the United States, Canada and Europe. They include: JUNTOS APARTE - Entre nosotros y los otros, MUNTREF Centro de Arte Contemporáneo, Buenos Aires, Argentina (2021); Cinco itinerarios con un punto de vista, Museo de Arte Contemporáneo de Castilla y León, Spain, (2020); El revés de la trama - 45 salón nacional de artistas, Bogotá, Colombia (2019); Archivo HAMACA (2018) Media and videoart distribution from Spain and Museo Nacional Reina Centro de Arte Sofía, Madrid, Spain.

About the artist
FRANCOIS BUCHER
LA RAIZ DE LA RAIZ, 2005
PRINT ON PAPER
70 x 50 cm

Artist review

artist that has trained in Film at The School of the Art Institute of Chicago and a recipient of a research grant award by the Whitney Independent Study Program in New York. He has been a visiting professor at the Academy of Fine Arts of Umea, Sweden, where he also acquired a doctorate in Artistic Practice. His work and research encompass a wide range of media and interests which, initially, focused on issues related to ethical and aesthetic questions found in film and television. These themes have been central in both his writings and artistic projects. Since 2008, his work can be classified as conceptual and of political positioning. Since then, Bucher’s ideas about the world have taken an abrupt turn and his new production is traversed by interdimensional processes. In his work, everything is interrelated; the different works are associated with each other, forming multiple sutures which, in turn, produce new meanings. The pieces create ellipsis; unpublished spaces of thought that underlie the field of the whole. His artistic projects try to deconstruct the hierarchy of contemporary materialist knowledge, whilst also investigating the relationship between man, his body and his environment. In 2013, François Bucher participated in the 55th Venice Biennale in the pavilion of the Italo-Latin American Institute, under the curatorship of Silvia Irrazábal and Alfons Hug, as well as in the 43rd National Exhibition of Artists of Medellín, curated by Mariángela Méndez. During 2014, he was one of the artists selected in the Cartagena de Indias Biennial, curated by Berta Sichel, as well as in the Cuenca Biennial curated by Jacopo Crivelli. Nonetheless, in 2016 he participated in the Photobooth Citi section of arteBA, curated by Patrick Charpanel. He has participated in various international exhibitions such as FIAC in Paris, in 2014, with a specific project for the Natural History Museum of Paris. Moreover, he has also exhibited at the Center for Cultural Initiatives of the University of Seville, at Flora Arts + Natura in Bogota, under the curatorship of José Roca, at the Swedish Bildmuseet, at the Zapopan Museum and the Querétaro Museum in Mexico and the AMAZONÍA exhibition, curated by Berta Sichel, at the CAAC in Seville.

About the artist
FRANCOIS BUCHER
TELEVISION, 2007
PRINT ON PAPER
70 x 50 cm c.u.

Artist review

artist that has trained in Film at The School of the Art Institute of Chicago and a recipient of a research grant award by the Whitney Independent Study Program in New York. He has been a visiting professor at the Academy of Fine Arts of Umea, Sweden, where he also acquired a doctorate in Artistic Practice. His work and research encompass a wide range of media and interests which, initially, focused on issues related to ethical and aesthetic questions found in film and television. These themes have been central in both his writings and artistic projects. Since 2008, his work can be classified as conceptual and of political positioning. Since then, Bucher’s ideas about the world have taken an abrupt turn and his new production is traversed by interdimensional processes. In his work, everything is interrelated; the different works are associated with each other, forming multiple sutures which, in turn, produce new meanings. The pieces create ellipsis; unpublished spaces of thought that underlie the field of the whole. His artistic projects try to deconstruct the hierarchy of contemporary materialist knowledge, whilst also investigating the relationship between man, his body and his environment. In 2013, François Bucher participated in the 55th Venice Biennale in the pavilion of the Italo-Latin American Institute, under the curatorship of Silvia Irrazábal and Alfons Hug, as well as in the 43rd National Exhibition of Artists of Medellín, curated by Mariángela Méndez. During 2014, he was one of the artists selected in the Cartagena de Indias Biennial, curated by Berta Sichel, as well as in the Cuenca Biennial curated by Jacopo Crivelli. Nonetheless, in 2016 he participated in the Photobooth Citi section of arteBA, curated by Patrick Charpanel. He has participated in various international exhibitions such as FIAC in Paris, in 2014, with a specific project for the Natural History Museum of Paris. Moreover, he has also exhibited at the Center for Cultural Initiatives of the University of Seville, at Flora Arts + Natura in Bogota, under the curatorship of José Roca, at the Swedish Bildmuseet, at the Zapopan Museum and the Querétaro Museum in Mexico and the AMAZONÍA exhibition, curated by Berta Sichel, at the CAAC in Seville.

About the artist
FRANCOIS BUCHER
AUTÉNTICAS IMITACIONES DE RÉPLICAS GENUINAS, 2000
ANALOGIC PHOTOGRAPHY
15 x 12 cm. c.u.

Artist review

artist that has trained in Film at The School of the Art Institute of Chicago and a recipient of a research grant award by the Whitney Independent Study Program in New York. He has been a visiting professor at the Academy of Fine Arts of Umea, Sweden, where he also acquired a doctorate in Artistic Practice. His work and research encompass a wide range of media and interests which, initially, focused on issues related to ethical and aesthetic questions found in film and television. These themes have been central in both his writings and artistic projects. Since 2008, his work can be classified as conceptual and of political positioning. Since then, Bucher’s ideas about the world have taken an abrupt turn and his new production is traversed by interdimensional processes. In his work, everything is interrelated; the different works are associated with each other, forming multiple sutures which, in turn, produce new meanings. The pieces create ellipsis; unpublished spaces of thought that underlie the field of the whole. His artistic projects try to deconstruct the hierarchy of contemporary materialist knowledge, whilst also investigating the relationship between man, his body and his environment. In 2013, François Bucher participated in the 55th Venice Biennale in the pavilion of the Italo-Latin American Institute, under the curatorship of Silvia Irrazábal and Alfons Hug, as well as in the 43rd National Exhibition of Artists of Medellín, curated by Mariángela Méndez. During 2014, he was one of the artists selected in the Cartagena de Indias Biennial, curated by Berta Sichel, as well as in the Cuenca Biennial curated by Jacopo Crivelli. Nonetheless, in 2016 he participated in the Photobooth Citi section of arteBA, curated by Patrick Charpanel. He has participated in various international exhibitions such as FIAC in Paris, in 2014, with a specific project for the Natural History Museum of Paris. Moreover, he has also exhibited at the Center for Cultural Initiatives of the University of Seville, at Flora Arts + Natura in Bogota, under the curatorship of José Roca, at the Swedish Bildmuseet, at the Zapopan Museum and the Querétaro Museum in Mexico and the AMAZONÍA exhibition, curated by Berta Sichel, at the CAAC in Seville.

About the artist
BELEN RODRIGUEZ
ROSA DE CORINTO, 2022
MIXED MEDIA ON COTTON FABRIC
170 x 115

Artist review

Master of Arts at the Academy of Fine Arts in Vienna, 2010, where she studied with Professor Heimo Zobernig. Graduate in Fine Arts from the UCM in Madrid, 2007. She has been part of different Artist in Residence Programs including Flora ars+natura, in Bogota, Artista X Artista, (Havana, 2016) Hooper Projects in (Los Angeles, 2015) Academia de España in (Rome, 2012) and BMUKK (Tokyo, 2009). Some of her solo exhibitions include “I turn Chilli Red” at Josh Lilley, (London, 2019), “Algodón naranja en la bella sombra”, at Alarcón Criado, (Sevilla, 2019), “Paintung”, at Patio Herreriano, (Valladolid, 2018) “Circa” at Das weisse haus, in (Vienna, 2011) at Galería Parra y Romero, (Madrid, 2010) She has received the Staatstipendium Scholarship from the Austrian Ministry of Culture in 2015, the Generation Award from Caja Madrid in 2011 and with Honorable Mention in 2009, artist selected as a finalist in the V edition of the Cervezas Alhambra Emerging Art Award, 2021.

About the artist
BELEN RODRIGUEZ
SOY ÁCIDO, 2022
MIXED MEDIA ON COTTON FABRIC
170 x 115 cm

Artist review

Master of Arts at the Academy of Fine Arts in Vienna, 2010, where she studied with Professor Heimo Zobernig. Graduate in Fine Arts from the UCM in Madrid, 2007. She has been part of different Artist in Residence Programs including Flora ars+natura, in Bogota, Artista X Artista, (Havana, 2016) Hooper Projects in (Los Angeles, 2015) Academia de España in (Rome, 2012) and BMUKK (Tokyo, 2009). Some of her solo exhibitions include “I turn Chilli Red” at Josh Lilley, (London, 2019), “Algodón naranja en la bella sombra”, at Alarcón Criado, (Sevilla, 2019), “Paintung”, at Patio Herreriano, (Valladolid, 2018) “Circa” at Das weisse haus, in (Vienna, 2011) at Galería Parra y Romero, (Madrid, 2010) She has received the Staatstipendium Scholarship from the Austrian Ministry of Culture in 2015, the Generation Award from Caja Madrid in 2011 and with Honorable Mention in 2009, artist selected as a finalist in the V edition of the Cervezas Alhambra Emerging Art Award, 2021.

About the artist
BELEN RODRIGUEZ
AGUACATE ROSA, 2022
FEDED ON COTON FABRIC
220 x 150 cm

Artist review

Master of Arts at the Academy of Fine Arts in Vienna, 2010, where she studied with Professor Heimo Zobernig. Graduate in Fine Arts from the UCM in Madrid, 2007. She has been part of different Artist in Residence Programs including Flora ars+natura, in Bogota, Artista X Artista, (Havana, 2016) Hooper Projects in (Los Angeles, 2015) Academia de España in (Rome, 2012) and BMUKK (Tokyo, 2009). Some of her solo exhibitions include “I turn Chilli Red” at Josh Lilley, (London, 2019), “Algodón naranja en la bella sombra”, at Alarcón Criado, (Sevilla, 2019), “Paintung”, at Patio Herreriano, (Valladolid, 2018) “Circa” at Das weisse haus, in (Vienna, 2011) at Galería Parra y Romero, (Madrid, 2010) She has received the Staatstipendium Scholarship from the Austrian Ministry of Culture in 2015, the Generation Award from Caja Madrid in 2011 and with Honorable Mention in 2009, artist selected as a finalist in the V edition of the Cervezas Alhambra Emerging Art Award, 2021.

About the artist
IRENE INFANTES
LAS MONTAÑAS, 2021
PRESSED MERINO WOOL
c.u. 54 x 4o cm

Artist review

Lives and works between Spain and Milan. Infantes studied at the Central Saint Martins at the University of the Arts in London, where she graduated in 2016 with a Bachelor of Arts in Textile Design. Her work acts as a bridge between art and design through her use of textiles. Infantes’s practice focuses on wool and its uses throughout history as she tries to give a new value to this material that was once used as a bargaining chip. She has worked for different companies such as Lego, Christopher Farr, CCTapis and Lexus. Some of her work has been shown as part of Question Time at Pattio Herreriano (2021), at A Crack in the mountain at C3A in Cordoba (2021), at Transhumancia in García Galería (Madrid, 2019) and Social life of a material at Gal Gallery (London, 2018), curated by Arvida Bystrom. She has also been part of group exhibitions such as Entre las formas que van hacia la sierpe y las formas que buscan el cristal (Between the forms that go towards the serpent and the forms that seek glass) at the Centro Andaluz de Arte Contemporáneo (Seville, 2020) curated by Joaquín Jesús Sanchez and Roxana Gazdzinski; and Brain Waves at the Lethaby Gallery (London, 2017) curated by Ulrike Oberlack. She was the recipient of the Texprint Award in 2017, which led her to exhibiting in different galleries in the UK and in Paris. In 2020, she was awarded a prize at Design: A Voyage in Italy and Spain by the Italian Embassy in Madrid.

About the artist
IRENE INFANTES
ABECEDARIO, 2021
Needle punch on velvet.
240 x 143,5 cm

Artist review

Lives and works between Spain and Milan. Infantes studied at the Central Saint Martins at the University of the Arts in London, where she graduated in 2016 with a Bachelor of Arts in Textile Design. Her work acts as a bridge between art and design through her use of textiles. Infantes’s practice focuses on wool and its uses throughout history as she tries to give a new value to this material that was once used as a bargaining chip. She has worked for different companies such as Lego, Christopher Farr, CCTapis and Lexus. Some of her work has been shown as part of Question Time at Pattio Herreriano (2021), at A Crack in the mountain at C3A in Cordoba (2021), at Transhumancia in García Galería (Madrid, 2019) and Social life of a material at Gal Gallery (London, 2018), curated by Arvida Bystrom. She has also been part of group exhibitions such as Entre las formas que van hacia la sierpe y las formas que buscan el cristal (Between the forms that go towards the serpent and the forms that seek glass) at the Centro Andaluz de Arte Contemporáneo (Seville, 2020) curated by Joaquín Jesús Sanchez and Roxana Gazdzinski; and Brain Waves at the Lethaby Gallery (London, 2017) curated by Ulrike Oberlack. She was the recipient of the Texprint Award in 2017, which led her to exhibiting in different galleries in the UK and in Paris. In 2020, she was awarded a prize at Design: A Voyage in Italy and Spain by the Italian Embassy in Madrid.

About the artist
IRENE INFANTES
ROLY POLY, 2021
Polymer clay and merino wool on polystyrene.
c.u. 16 x 9 x 9 cm

Artist review

Lives and works between Spain and Milan. Infantes studied at the Central Saint Martins at the University of the Arts in London, where she graduated in 2016 with a Bachelor of Arts in Textile Design. Her work acts as a bridge between art and design through her use of textiles. Infantes’s practice focuses on wool and its uses throughout history as she tries to give a new value to this material that was once used as a bargaining chip. She has worked for different companies such as Lego, Christopher Farr, CCTapis and Lexus. Some of her work has been shown as part of Question Time at Pattio Herreriano (2021), at A Crack in the mountain at C3A in Cordoba (2021), at Transhumancia in García Galería (Madrid, 2019) and Social life of a material at Gal Gallery (London, 2018), curated by Arvida Bystrom. She has also been part of group exhibitions such as Entre las formas que van hacia la sierpe y las formas que buscan el cristal (Between the forms that go towards the serpent and the forms that seek glass) at the Centro Andaluz de Arte Contemporáneo (Seville, 2020) curated by Joaquín Jesús Sanchez and Roxana Gazdzinski; and Brain Waves at the Lethaby Gallery (London, 2017) curated by Ulrike Oberlack. She was the recipient of the Texprint Award in 2017, which led her to exhibiting in different galleries in the UK and in Paris. In 2020, she was awarded a prize at Design: A Voyage in Italy and Spain by the Italian Embassy in Madrid.

About the artist
Español Link